New Representations of the 'Golden Lineage': The Mongolian Folk Rock of Altan Urag

Jonathan Hines

Abstract


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References


G. Serdamba, personal interview, September 18, 2011.

Carole Pegg. Mongolian Music, Dance, & Oral Narrative. Seattle: University of Washington Press, 2001. 293.

B. Erdenebat, Burnee, and Tungaa, personal interview, November 15, 2011.

D. Khirgis Munkh-Ochir, personal interview, October 31, 2011.

T. Mend-Ooyo, personal interview, September 5, 2011.

Peter Marsh, The Horse-head Fiddle and the Cosmopolitan Reimagination of Tradition in Mongolia. New York: Routledge, 2009. 54-67.

Pegg, Mongolian Music, Dance, & Oral Narrative. 256 – 261.

Andrew Colwell, email correspondence, November 23, 2011.

Sue Tuohy qtd. in Marsh, The Horse-head Fiddle, 13.

March, The Horse-head Fiddle, 79.

Erdenebat, Burnee, and Tungaa, personal interview.

Ts. Enkhchimeg, personal interview, October 18, 2011.

Erdenebat, Burnee, and Tungaa, personal interview.

Erdenebat, Burnee, Tungaa, personal interview.

Pegg, Mongolian Music, 45.

Ibid, 47.

Ibid, 44.

B. Tsetsentsolmon, “On How the Horse-headed Fiddle (Morin Khuur) Became Monster-headed and Electric in the Age of Globalization,” Department of Social and Cultural Anthropology, National University of Mongolia, 2009.

Erdenebat, Burnee, and Tungaa, personal interview.

Altan Urag, televised interview, posted on Youtube 15 November 2011, Accessed 23 November 2011.

Colwell, personal correspondence, November 23, 2011.

Recordings

Altan Urag. Blood. Independent Release, 2008. CD.

-----. Hypnotism. Independent Release, 2008. CD.

-----. Made in Altan Urag. Sonor Records, 2006. CD.

-----. Mongol. Independent Release, 2010. CD.

-----. Nation. Independent Release, 2010. CD.

-----. Once Upon a Time in Mongolia. Independent Release, 2010. CD.




DOI: https://doi.org/10.5195/forbes5.2012.23

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